A LETTER FROM OUR ARTISTIC DIRECTORS

“Connection in an isolating age.” How strangely prophetic these words written by Jonathan Larsen, in 1993, seem to be now in 2020. We find ourselves in an unprecedented time not only for IAMA and the Los Angeles theater community, but for the global community at large. This is a time where we must take a deeper look at the meaning of “essential.” Equality is essential. Justice is essential. Empathy is essential. And yes, theatre is essential. The ability to provide a place for celebration, questioning, reckoning, dismantling, this is the “essential” service that theatre and art provide to a community and to humanity. IAMA takes this responsibility very seriously and in this moment we promise to keep the “doors” to our theatre open. We are so proud to be able to continue to share our mission of developing new work with our now global community. As we embark on our 13th season, IAMA will be virtually celebrating new voices and works in progress. We are all “works in progress” in this moment, as we face uncertainty about our future in all aspects of life. At IAMA, we look towards the future with a strong sense of elevating voices that need to be heard to promote change in our world. By supporting a season of Virtual Solo Performance workshop productions, we are proclaiming that the road to change and transformation deserves a spotlight. Let’s illuminate this path together by supporting “essential” and diverse voices like Tom Detrinis, Anna LaMadrid, Sheila Carrasco, and Brandon Kyle Goodman as they break down the walls of isolation and encourage connection and community.

Stefanie Black and Katie Lowes 
IAMA Co-Artistic Directors

A NOTE FROM THE ARTIST

I consider it an honor, a blessing, and a privilege to be Black and Queer. 

However, I was not taught to believe that. In fact, from lack of representation in television and books, to disparaging headlines in the news, to hostile or dismissive treatment from strangers, to bullying at the hands of classmates, I was taught to believe the opposite.  

Many nights I wished for God to make me straight. To make me white. To make me Rachel Green or Carrie Bradshaw or Ashton Kutcher or Brad Pitt. Straight. White. Loved. Protected. Safe. 

I yearned to be safe. 

To rid my anxiety of being harmed (being killed), I would police my femininity while also asserting perfect manners.  I would try to be masculine without coming off as a threat. I would try to fit into societal norms. I failed endlessly. I felt like a target. I was a target. 

I blamed myself for being a target. 

By the end of my first therapy session in college, I realized that I hated myself. I hated everything of me. My Blackness. My Femininity. My Gayness. My Queerness. The intersections and wholeness of my identity. I hated it all.

I could blame larger society, and in some respects, my own communities--be it my neighborhood or (toxic) Black or (toxic) Gay spaces--for this forest of self-hatred I had found myself in. But instead I was determined to undo the damage. I was determined to teach myself how to love not my portion, not my half, but my whole being.  There were many angels along the way who helped. Friends, family, and mentors who loved me unconditionally. Poured into my spirit. Reminded me where I came from. Who I came from. Kings. Queens. Warriors. Heroes. Caretakers. Scientists. Mathematicians. Writers. Entertainers. Reminded me of my value. My worth. Reminded me until I knew it for myself.

I’ve been playing the character of Latrell for almost ten years as a way to bring joy to people while also reckoning with and holding valuable the intersections of my identity.  It feels as though all those performances have culminated into this piece. I wrote The Latrell Show as a love letter. As a testimony to the intricacies and nuances of survival. As a reminder to fight for love of self. Love of each other. As a way to honor the resilience of my people. Black people. Queer people. Black Queer people. As affirmation that we deserve to love, live, and thrive proudly, even if the world doesn’t agree.  As confirmation that, yes, our lives matter. We matter. All Black Lives Matter.

This piece is dedicated to my grandmother and her legacy. It’s dedicated to Black folx.  It’s dedicated to every Black, Queer, and Black queer person taken away. Killed. Murdered. It’s dedicated to the ancestors who endured horrors, injustice, and pain, yet loved, fought, and pushed. I am because they were. So, this is for them. 

Thank you, Stefanie, Devere, Cherrye, Lisa, Shiku, and everyone at IAMA for your guidance, love, and protection. Thank you, Matthew (and Korey) for your patience and support. Thank you to my team for championing my voice. Thank you to my therapist for putting up with my ass and continuing to help me on my healing journey. 

Thank YOU for being here. And in case you haven’t heard it yet today, you are so deeply loved.

Brandon Kyle Goodman
Writer, Performer, and Producer of The Latrell Show

IAMA Theatre Company Presents

THE LATRELL SHOW

Written and performed by Brandon Kyle Goodman

Co-directed by Stefanie Black* and Devere Rogers*

Brandon Kyle Goodman

Donna Simone Johnson

Che Landon

Lisa Bierman

Shiku Thuo

Cherrye J. Davis

R. S. Buck*

Song Yi Park

Josh Epstein*

Marc Antonio Pritchett

Frankie Bruny

Alyna Ajere

Helton Najera

Tanny Jiraprapasuke

Mika Gonda 

Melissa Dowler

Tom Dowler

Lextia Cordova, McKay Steigerwald

Pamela Xing-Berman

Terry Li

Lucy Pollak, Lucy Pollak PR

Jordyn Palos, Persona PR
Jade Wiselogle, Persona PR
Debbie Bonora, Persona PR

CAST

Brandon Kyle Goodman

Adriana DeGirolami

* Indicates member of IAMA Theatre Company

Check out our LaResource Guide learn more about people, places, and moments referenced in The Latrell Show.

CAST

Brandon Kyle Goodman (Writer/Performer/Producer)
From bringing diverse, powerful characters to life on the screen, to writing scripts for one of the most successful television series on Netflix, Actor, Writer and Advocate Brandon Kyle Goodman has emerged in the entertainment industry as a powerful force with a voice to be reckoned with.

As a writer, Goodman’s work will be showcased this fall throughout season four of Netflix’s hit animated comedy series “Big Mouth.” Led and created by Nick Kroll alongside Andrew Goldberg, Mark Levin and Jennifer Flackett, the series follows a group of pre-teen friends who find themselves working to navigate both the wonders and horrors of puberty, with the help of some unfiltered, raunchy hormone monsters along the way. Goodman co-wrote episode 407 alongside Mitra Jouhari and also signed on to write and voice on season five as well as the Big Mouth spin-off “Human Resources.” “Big Mouth” is slated to stream new episodes on Netflix in October 2020, following an unprecedented, three-season renewal announcement from the network.

On the film front, Goodman recently starred in Netflix’s feature film “Feel the Beat,” opposite Sofia Carson. He was a scene-stealer as the outspokenly brave, queer character Deco. Additional acting credits for Goodman include starring as Andy, an eager father-to-be in Amazon’s successful rom-com anthology series “Modern Love,” opposite Andrew Scott, as well as a role in the Amazon pilot “People Just Do Nothing.” He has also appeared as one of the leads in Fullscreen’s digital series “Alive in Denver,” and can be seen in the independent features “The Blackout,” “The Relationtrip,” Hulu’s “Plus One,” and Blue Fox’s “Papi Chulo,” alongside Matt Bomer and Wendi McLendon-Covey.

Goodman is proud to be a nonbinary, queer Black leader and a staunch advocate for Black lives. Goodman’s name and messages were launched into the limelight throughout the summer of 2020 as his vulnerable, informative Instagram videos regarding racism in America went viral, quickly solidifying him as a go-to resource for individuals seeking educational and inspiring content, while detailing a personal look at Goodman’s experiences growing up and living Black in America. Today, Goodman’s content has received over millions of views and counting.

With the intention and drive to continue conversations and meaningful action on behalf of Black lives that extend beyond the news cycle and social media algorithms, Goodman is set to launch two separate podcasts, the first titled “Black Folx,” a one-on-one conversation-based podcast produced by Starburns Audio and IGTV series featuring Black personalities of various identities. Created by Goodman, each episode aims to elevate and amplify the experiences of Black folks, with the intention of providing a safe, healing and therapeutic space for the Black audience watching or listening; and for white/non-Black folks, Goodman hopes these conversations will provide an opportunity for increased exposure to authentic Black experiences, and to widen a deeper understanding of systemic racism that has existed in our country for centuries. Additionally, Goodman has announced the launch of “Do the Work,” a weekly podcast produced by Sony and hosted by Goodman, discussing all things race and personal relationships. Each episode features an intimate conversation between Goodman and two people who know each other well: family, old friends, lovers or colleagues. Throughout each episode, guests will finally have real, deep and meaningful discussions about race and examining biases that will ideally teach us all to be better allies in our daily lives. Both “Black Folx” and “Do the Work” will premiere in Fall 2020.

Born and raised in Queens, New York, Goodman discovered his love of acting throughout high school, before attending the Tisch Scool of Arts at New York University (NYU). Upon his graduation from NYU, Goodman joined a musical sketch comedy group called “Political Subversities,” which featured weekly sketch and song performances by many NYU alumni about what was happening in the zeitgeist of pop-culture and politics and was even created into a web series. It wasn’t long before Goodman packed his bags to move to LA full-time to pursue a career as both an actor and writer in Hollywood.

When not in front of the screen, Goodman loves to seek out great new eats, work out, binge “The Real Housewives,” and discover great, new vocal performances on YouTube. Goodman continues to actively speak out against the injustices that have been plaguing the Black community for decades and encourages his followers to donate to the Innocence Project, The Bail Project, Black Trans Travel Fund, and Black Lives Matter. Goodman is currently based in Los Angeles, CA with his husband and their puppy, Korey.

Adriana DeGirolami (Therapist) Adriana DeGirolami is a Mexican/Italian actor, writer and director from Chicago. Her numerous television appearances include favorite roles on Snowfall, Grey’s Anatomy, The Wilds, Alternatino, Nurse Jackie, Red Oaks, Law & Order: SVU, Bull and the upcoming Pumas. She is also featured in supporting roles for Sundance darlings James White and All Rise. In addition to her acting work, DeGirolami is an avid writer and director. She is currently a showrunner and co-creative director for Netflix’s hit original “Go Off With Jess & Julissa” in collaboration with Con Todo Netflix. In 2021, she will co-produce and star in the upcoming feature film Queen Cecilia and stars in the highly anticipated Cotton Club Murders and Fishpriest podcast series by Treefort Media. She resides in Los Angeles with her Cuban sweetheart, their kitten Paloma, puppy Marlo, and an ever-expanding number of plants that are - amazingly - still alive.

CREATIVE TEAM

Stefanie Black* (Co-Director) is a founding member and Co-Artistic Director of the Award Winning, IAMA Theatre Company. An actor, writer, and director originally from Allentown, PA, she is a graduate of NYU’s Tisch School of the Arts, Playwrights Horizons Theater School, an alumna of The Williamstown Theater Festival and American Conservatory Theater (ACT). Recent stage directing credits include: workshop of new musical, "The Evergreen" as well as the premiere of "Penelope" by IAMA member, Louise Munson. Her feature directing debut, “Adult Interference,” which she co-wrote and co-directed, was distributed by Gravitas Ventures in 2019 and can be viewed on Amazon Prime, iTunes and SVOD. She also directed the 2017 ABC Discovers Talent Showcase in Los Angeles. Stefanie is a proud member of Film Fatales. As an actor, she has recurred on such shows as SCANDAL (ABC) and HOW I MET YOUR MOTHER (CBS); as well as appeared on THIS IS US(NBC), CASUAL (HULU), AHS:1984 (FX), GREY’S ANATOMY (ABC), and many others. Thank you to Brandon for allowing me to be a part of your storytelling. Much love to Alex, always my heart.

Devere Rogers* (Co-Director) Devere Rogers is an actor, playwright, screenwriter, producer, and director. Born and raised in Atlanta, GA and a graduate of NYU Tisch School of the Arts. As a director, he directed the world premiere of Hammer for the LA Fringe Festival. As an actor, he has performed in plays, musicals, and workshops on Broadway, Off-Broadway, and regionally, as well as having roles on such TV shows like Grey's Anatomy, Crazy Ex-Girlfriend, and Will & Grace. Most recently, he starred in the NBC pilot Friends-In-Law, is recurring on IFC’s Sherman’s Showcase, and co-starred in the action comedy My Spy with Dave Bautista and Ken Jeong and indie comedy Tankhouse with Christopher Lloyd and Richard Kind. As a writer, he wrote the critically acclaimed short film Ying & Yang as well as having an Off-Broadway workshop production of his play Excuse Me Ladies and Gentlemen. He is currently developing a TV show with Paul Feig’s PowderKeg and Fox21 and filming a new show with HBO Max starring Patti Lupone.

Donna Simone Johnson (Producer) Donna Simone Johnson is an actor, Community Organizer, choreographer, and the Co-Artistic Director of Watts Village Theatre Company. LA-based, she has enjoyed a vibrant career working in commercials, voiceovers, screens, and stages and is currently a series regular on Y'all Family, premiering this fall and a Company Member at Oregon Shakespeare Festival. TV credits include The Inspectors, 9-1-1, Agent X, Amazon's Dreamland, and NETFLIX's animated series Super Drags (recurring). On stage, she has worked at The Pantages, Portland Center Stage, Virginia Stage, Playwrights Arena, and Off-Broadway, winning an NAACP Theatre Award for Best Supporting Actress in "Broken Fences." She is currently working with Howlround to craft a revised theater canon, with attention to BIPOC and LGBTQ2A+, stories to revitalize American storytelling in this new era. She holds a BA from Vanguard University, MA in Somatic Education from NYU Steinhardt, and an MFA in Acting from CalArts. @dsimonejo for side eyes and joyrides.

Ché Landon (Producer) Ché Landon is a LA based producer and executive. Originally from NYC, Ché began their creative pursuits in theater, and soon expanded into film and television. Che worked at NBC Universal on array of projects including Birdman, Neighbors, The Mindy Project, Madmen and several other pilot projects. As an actor they have appeared on Grey's Anatomy, Hulu's Work in Progress and most recently the detective series Frank James. A life long artists' advocate, Ché's most drawn to work that challenges the status quo and is currently producing and collaborating bicoastly on multiple film and television productions. website: chelandon.co , imdb: imdb.me/chelandon

Shiku Thuo (Stage Manager) Shiku Thuo is a Stage Manager, Actor and Director who is so excited to be working on her 1st IAMA production. Her most recent works include The Shipment (CSUN), Lorca in a Green Dress (CSUN), Dear Andrey, and The Tempest (CSUN). Shiku is honored to be apart of facilitating a powerful storytelling of the black experience, a story that holds more weight than ever.

Cherrye J. Davis (Production Dramaturg) Cherrye J. Davis is an actor, filmmaker, playwright, MC, and teaching artist from the Bronx, NYC. Cherrye has worked in theater performance and education for over 15 years, merging history, storytelling, and social justice into performance. She has been seen performing on stage with The Public Theater, New Ohio Theater, LaMaMa, Rough Draft Festival, Oregon Shakespeare Festival, National Black Theater, and The National Black Theater Festival. Cherrye has been seen in TV/films circulating festivals (Scribbles: The Webseries, For Flow (HBO). Most recently, her self-directed short film Covered (A Certain Something Productions) has screened at a number of festivals, including Toronto Black Film Festival, Blackbird Film Fest, and Seattle Black Film Fest. As seen in Covered and her solo show How to Mourn an American (2019), Cherrye’s work as writer and director embraces her grounding in poetry, hip hop, and New York city cultures. Follow her moves at www.CherryeJDavis.com.

R.S. Buck (Production Manager) R.S. Buck is an LA-based international designer and manager for performances and experiences. They are thrilled to be stepping into a managerial role with IAMA, having previously designed 4 productions. For IAMA: Canyon, Anyone But Me, The OXY Complex, Mama Metal. International: Brecht (BE Moving, Tel Aviv); Antigone (Yin Mei Dance, China), ¡Anarchist! (Little Green Pig Theatrical Concern, Mexico). LA: Cages (Woolf and the Wondershow). Buck is production manager and production designer for the In[heir]itance project. They hold their MFA from California Institute of the Arts.

Song Yi Park (Production & Costume Designer) Song Yi has experience in theatrical scenic and production design in theatre and film with an extensive background in architecture, interior, and display design. Her scenic designs include The Unseen Hand / Killer's Head (2020) by Sam Shepard and directed by Darrell Larson at Odyssey Theatre Ensemble (Los Angeles, CA), Driving Wilde (2019) by Jacqueline Wright and directed by Bart DeLorenzo at Theatre of Note (Los Angeles, CA), Through the Leaves (2018) and The Seagull (2017) at CalArts. Song Yi was an assistant scenic designer on CNP production Fore! (2017) and an assistant art director for K-Pop music video, SISTAR's SHAKE IT (2015), and commercials in Korea. Song Yi received a Master’s in Design and Production from California Institute of the Arts in 2019 and an Undergraduate Degree in Industrial Design, specifically Space Design from Hongik University, Seoul, South Korea.

Josh Epstein (Lighting Designer) The Latrell Show will mark Josh’s sixth show with IAMA where he is proud to be an ensemble member. Josh has designed lighting at many of the top regional theaters in the country. Recent productions include: Little Shop of Horrors (Pasadena Playhouse) The Legend of Georgia McBride (Geffen Playhouse) Indecent (Arena Stage) and Romeo and Juliet (Guthrie Theater). His work has also been seen at the Mark Taper Forum, Goodman Theatre, South Coast Repertory, Baltimore Center Stage, Kirk Douglas Theatre, Trinity Repertory Company, Kansas City Rep, Long Wharf Theater, Alliance Theater, Actors Theatre of Louisville, PlayMakers Repertory Company, Cincinnati Playhouse in the Park and Paper Mill Playhouse. In addition, Josh is on faculty at the USC School of Dramatic Arts. Josh is an LA Ovation and Knight of Illumination Winner and a Helen Hayes Nominee. He was a recipient of the NEA/TCG Career Development Program for Designers and currently serves on the O'Neill Playwrights Conference Artistic Council. Josh received his MFA from NYU’s Tisch School of the Arts and lives in Los Angeles with his wife and three daughters. www.joshepsteindesign.com

Marc Antonio Pritchett (Sound Designer) Marc Antonio Pritchett is an Actor, Director, Fight Coordinator and Session Singer. He is also one of the Artistic Directors at Sacred Fools Theatre Company. Recent directing credits include The Mousetrap at Theatre Palisades. At the time of the shutdown he was in rehearsals for A Live Mixtape at 2cents Theatre and preparing to direct The Music Man at the Morgan-Wixson. He is represented by Nucleus Talent Management. For additional info visit: www.marcantoniopritchett.com

Helton Najera (Technical Director) has been with The Pico since February 2018. Since then he has overseen the lights and tech of all of the Creating Art Shows, I am Sophie, Under the Jello Mold and Three Black Girls. He has designed the lights for the following shows: Time Alone, Improv for the People, Coolbeans, Agatha Christie Unscripted and Peter Faber’s production of Hope and Gravity as well as many dance and camp shows.

Tanny Jiraprapasuke (COVID-19 Compliance Officer) Tanny is a writer, an activist for the AAPI community, and a certified COVID compliance officer. She brings flexibility, creativity and balance to her work. Her passion is to help embolden the voices of BIPOC people in the arts.

Long Haul Films (Post Production Company) Long Haul Films is an LA-based, but globe-trotting, production company, founded in 2010 by Director Melissa Dowler and Director of Photography Tom Dowler, partners in life and in filmmaking. We create engaging short, medium, and long-form video content to help mission-driven companies, entrepreneurs, and creative visionaries tell their stories. We love to make films with people from diverse backgrounds who are creating positive change in the world. We value innovation, integrity, and impact. Our work has been featured on television, in movie theaters, across digital platforms, and at major events around the world. Our collaborators include technology brands, fashion designers, authors, artists, musicians and inventors. What they have in common is that they are independent thinkers, passionate about what they're doing in life with something powerful to say. Learn more about us and say hello at longhaulfilms.com and instagram.com/longhaulfilms.

IAMA BOARD OF DIRECTORS

Katie Lowes, Chair 
Tyler Ennis, President 
David Yanni, Secretary 
Victoria Lerner, Treasurer 

Jana Bezdek 
Gracye Cheng
Tyler Ennis 
Mike Jackson 
Victoria Lerner 
Katie Lowes 
Melissa Romain
Graham Sibley 
David Yanni

IAMA STAFF

Co-Artistic Director: Stefanie Black 
Co-Artistic Director: Katie Lowes 
Managing Director: Lara Myrene 
Producing Director: Cymbre Walk Sklar 
Co-Associate Artistic Director: Margaux Susi 
Co-Associate Artistic Director: Rodney To
Director of the Ensemble: Tom DeTrinis
Basecamp Director: Christian Durso
Director of Special Programming: Anna LaMadrid
Social Media Manager and Marketing Associate: Justin Sullivan
Grant Writer: Laila Ayad

IAMA ENSEMBLE

Anisha Adusumilli, Alexander Alcheh, Tom Amandes, Laila Ayad, Deanna Barillari, Stefanie Black, Michelle Bossy, R. S. Buck, Jon Caren, Sheila Carrasco, Dean Cechvala, Parvesh Cheena, Deborah S. Craig, Desi Dennis-Dylan, Tom DeTrinis, Christian Durso, James Eckhouse, Josh Epstein, Ryan Garcia, Chris Gardner, Jeff Gardner, Eli Gonda, Adrian Gonzalez, Josh Heine, Laura Holloway, Anna Rose Hopkins, Tina Huang, Bailey Humiston, Alexis Jacknow, Andria Kozica, Colleen Labella, Anna LaMadrid, John Lavelle, Sharon Lawrence, Katie Lowes, Laura Mann, Burl Moseley, Karla Mosley, Louise Munson, Lara Myrene, Melissa Jane Osborne, Brian Otano, Tim Peper, Geoff Rivas, Tim Rock, Devere Rogers, Kacie Rogers, Amy Rosoff, Emily Rowan, Adriana Santos, Mark Saul, Courtney Sauls, Micah Schraft, Brandon Scott, Sonal Shah, Adam Shapiro, Graham Sibley, Cymbre Walk Sklar, Lexi Sloan, Melissa Stephens, Margaux Susi, Rodney To, Sarah Utterback, Keliher Walsh, Jamie Wollrab, Christine Woods

IAMA THEATRE COMPANY IS A LOS ANGELES-BASED ENSEMBLE OF ARTISTS COMMITTED TO INVIGORATING LIVE PERFORMANCE FOR A STREAMING GENERATION. THROUGH CUTTING-EDGE, COOL AND HYPER-MODERN STORIES, IAMA IS INVESTED IN THE IMMEDIACY OF PRODUCTION AND STRIVES TO BRING AUDIENCES OUT OF THEIR PERSONAL SPACE AND INTO A SHARED EXPERIENCE.

Designated by Playbill as “one of 20 regional houses every theatre lover must know,” IAMA is an ensemble of artists committed to invigorating live performance for a streaming generation. Through cutting-edge, cool and hyper-modern stories, IAMA is invested in the immediacy of production and strives to bring audiences out of their personal space and into a shared experience. IAMA was built on ambition and determination while ensuring a steadfast commitment to equity and inclusion on and off stage. Los Angeles is one of the most diverse metropolitan areas in the world and our work reflects the new voices and changing attitudes that continue to shape our city, state, country and world. The award-winning company has seen many plays generated at IAMA travel to Off-Broadway, Second Stage and the Roundabout Underground, then go on to be performed regionally and internationally. IAMA members have been featured in numerous critically acclaimed TV shows and films as well as in a vast array of theatre and live performances all over the country, including Off-Broadway and Broadway. IAMA has been dedicated to developing new plays and musicals by emerging and established playwrights since 2007. IAMA is based in Los Angeles on the ancestral and unceded lands of the Gabrielino-Tongva people.

IAMA THANKS OUR 2020-2021 SPONSORS:

Shonda Rhimes & the Rhimes Family Foundation

DAVID LEE FOUNDATION

NONPROFITS INSURANCE ALLIANCE GILBERT GRANT

CAPLIN FOUNDATION

THE SHARI AND LES BILLER FAMILY FOUNDATION

VANGUARD CHARITABLE AND THE BEZDEK FAMILY CHARITABLE FUND

THANK YOU TO OUR IAMA DONORs

Adam Haracz

Adam Howard

Adrienne Gomez

Amy Evans

Andrew Davis

Andrew Deffenbaugh

Anna Telfer

Anne Woodward

Asher Grodman

Belinda Glijansky

Bennett Sloan

Braxton Crewell

Bruno Oliver

Bud Coffey

Camille Scales

Cathryn Wilson

Charles Curtiss

Christine Sobolewski

Conrad Woolfe

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Fulton Management

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John Pick

Jonathan Deering

Joyce Carrasco

June Raphael

Katie Free

Kayley Bryson

Kelsey Flynn

SPECIAL THANK YOU TO

The Pico

Mika Gonda

Helton Najera

Brandon Pape

Chad Irvin

EveryTable

Kelli J. Bartlett

Kinetic Lighting

Korey Raymond-Goodman

Kyle June Williams

If you or someone you know are in need of mental health support, please call SAMHSA's National Helpline at 1-800-662-HELP, or visit samhsa.gov. Other resources are available by calling The Trevor Lifeline at 1-866-488-7386, or visit thetrevorproject.org.